Apocalypse.
\nOriginal oil painting on canvas, 32\u00d740 in\/81\u00d7101 cm. Shipping in a roll.<\/p>\n
This science fiction story, at the intersection of theology and technological pessimism, is a reimagining of the biblical prophecy of the Apocalypse.<\/p>\n
In a distant, dystopian future, humans have “worshipped the beast,” becoming cogs in the system. Striving for immortality and perfection, they have finally rejected the flesh, transforming into a faceless legion of robots.<\/p>\n
“The sea is no more.” It has dried up, and all life is now confined to cyberpunk-inspired megacities\u2014a jumble of neon needles and steel colossi, suffocated by electrical flashes.
\nHowever, this technological grandeur pales in the face of a colossal vortex opening in the heavens.<\/p>\n
“The Kingdom of Heaven,” Marduk, Typhon, the planet Nibiru\u2014it’s been called by many names throughout history. This coming doesn’t bring humility; it brings purification by fire. A meteor shower, storms piercing the sky\u2014this is the cosmic catastrophe described in biblical prophecy. But this isn’t God; it’s the aliens returning to reap their harvest.<\/p>\n
Identical steel figures, devoid of will and individuality, stand frozen, listening to a prophet like themselves raising his hands to the stormy sky. This is the final point.<\/p>\n
This painting is a stern warning that even in a world of triumphant reason and machines, ancient prophecies overtake us, taking the form of cosmic inevitability.<\/p>\n","protected":false},"excerpt":{"rendered":"
Apocalypse. Original oil painting on canvas, 32\u00d740 in\/81\u00d7101 cm. Shipping in a roll. This science fiction story, at the intersection of theology and technological pessimism, is a reimagining of the biblical prophecy of the Apocalypse. In a distant, dystopian future, humans have “worshipped the beast,” becoming cogs in the system. Striving for immortality and perfection, …<\/p>\n